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i've wanted to do this video for so long
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in fact I've wanted to do many tutorial
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videos but the problem is brands just
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keep releasing printers and let's be
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honest that's what people want most from
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this channel i've got to accept that
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would you believe there was actually a
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time last year where I was worried that
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I'd struggle for content now I literally
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can't get content out fast enough and
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seriously I filmed this back in July but
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that's my problem your problem assuming
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you click the thumbnail of this video is
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that you want to know how to get glass
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clear transparent prints from resin
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printers great cuz that's what I'm going
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to show you today hi I'm Ross and this
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is Faux Hammer Videos so no matter what
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your application be it models sculptures
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or jewelry the idea of crystalclear
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transparent resin is great right but the
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second you actually try to use this
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stuff you quickly realize that that
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vision is marred by issues clear resin
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can turn yellow when exposed to UV light
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it can discolor when washed in heavily
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used isopropanol but the biggest issue
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is that even if you get everything right
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once you clean it it turns frosty and
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that is far from the desired glass-like
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result that you actually wanted so
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here's your solutions in what I feel is
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a sensible order now first of all some
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clear resins will just turn yellow it's
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the nature of many materials if you want
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recommendations on good quality resin
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that won't turn yellow I'd recommend
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chatting with people in various groups
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online and getting a consensus cuz I've
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only used a limited few in my case I'm
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using the Pat 10 resin from Heygears
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because I'm printing on my Ultracraft
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Reflex if you don't know that printer or
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the newer Reflex RS I love these
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machines and they're currently the ones
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I use for my own personal projects but
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I've got to be fair it's not for
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everyone so please check my reviews on
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both those units for more details now
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first off this PAT 10 resin like many
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others will actually start to yellow
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slightly after it's been cured but when
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you give it a day or so it'll actually
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return back to normal so if you've got
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clear resins that are prone to turning a
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bit yellow try waiting that might
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actually be a test worth doing on those
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materials too but that's the summary of
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step one get a clear resin that's still
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clear after curing or maybe curing and
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waiting a bit the next few steps kind of
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require us to understand what's
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happening and why our prints can
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discolor in other ways or turn frosty
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which most will and I'm sorry if some of
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you already know this bit but let's
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please take a moment for beginners to
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understand this too now when your
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print's finished you probably notice
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that whilst it's still on the build
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plate it is pretty much glass clear but
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the second you wash it frosty now a lot
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of people and me included will assume
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that this is due to the resin reacting
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negatively with isopropanol or whatever
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cleaning fluids we use it's not the real
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reason is that printed models are made
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up of tiny cubes called voxels and these
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voxels on the surface of a model refract
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light in various directions rather than
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being a smooth surface you can see
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through it's like the difference between
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a pane of glass you can see through and
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that same pane crushed into loads of
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little pieces you can't see straight
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through it anymore because it's now a
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pile of crushed glass with lots of edges
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it's no longer a smooth surface shrink
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that down significantly and it's pretty
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much the same on 3D printed models lots
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and lots of little cubes means lots and
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lots of tiny edges the reason it looks
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good on the plate is because when a
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print's completed and is still dripping
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with residual resin from the tank you'll
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notice you can already see through it
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pretty well and that's because the
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liquid resin on the surface is filling
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all of those tiny gaps and masking all
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of the edges so as soon as you wash it
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the residual resin on the surface is
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gone you can no longer see through your
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model so I'm sorry guys from all the
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testing I've done on consumer machines
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I've not managed to see a single way
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that I can get them to print a glass
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clear model in one go but thankfully the
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easiest solution isn't hours of sanding
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in fact there's no sanding needed at all
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because if you're printing miniatures or
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detailed models let's be fair sanding
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those tiny details is next to impossible
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what we need to do and maybe this is
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still unfortunate we need to fill those
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recesses and do what the layer of resin
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was doing before we washed it off we
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just need to do it in a controlled way
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now another tip I want to give is when
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printing your models when you're doing
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transparent avoid hollowing where you
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can all of the issues outside of the
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model will duplicate on the model's
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inner shell too things like supports
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they'll be visible inside the model but
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also since you can't easily clean the
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inside or apply what we're about to do
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you will still have that frosty surface
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on the inside too so yeah the best tip
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is to avoid hollowing models for this
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transparent process the other issue we
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get is something we talked about earlier
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and that's discoloration beyond just UV
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yellowing so I'd also recommend when you
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clean transparent models make sure you
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do it in a clean washing fluid if you've
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been using the same stuff for months you
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may want to ditch that especially if
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you've washed non-clear resins in it
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because traces of what is in the washing
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fluid being your isopropanol or whatever
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can easily discolor your clear resin by
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dying the surface or and if you've been
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printing a while you've probably seen
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this when isopropanol evaporates and
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it's been used a lot it can actually
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leave traces of the resin in it in the
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recesses of your model's surface once
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again that's going to ruin the clear
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effect that we're going for and I know
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some people will say you should sand
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your models with finer grits of
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sandpaper and that will work for larger
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things but this process is long arduous
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and as I said not practical on small
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fine detailed models in my case
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miniatures so let's say we've got a
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clean model which is frosty and we don't
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want to try and sand all the intricate
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details what do we do well as I said we
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need to fill those gaps with something
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clear to bring back the see-through
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effect and I tried a few ways now you
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could just cure your model straight from
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the plate with excess resin on it how
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successful you're going to be is
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anyone's guess because well you'll have
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to touch the model to get it to the
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curing station and this is also a
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surefire way to fill in all of the
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natural shapes that you actually want to
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keep on your print i've not personally
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tested this but it is potentially doable
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what I started with was this product
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recommended to me by James Taro of
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taromodelmmaker.com i talk about him a
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lot on the painting phase and I've got a
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video coming about what he does in the
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future this is Gauy coat from AK
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Interactive gauy gowsy whatever this is
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made for things like Airfix cockpits
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once they've been sanded you just dip
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the part in shake or wick off the excess
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and leave it to dry 20 minutes or so
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later do it again and then again maybe
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three maybe five times and this got me
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decentish results but it's made for hard
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plastic cockpits not slightly flexible
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resin after a few dips I got okay
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results but I wanted better this is hazy
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glass not clear glass but I figured this
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gory coat is just some kind of clear
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gloss varnish so I also cracked out some
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Valo polyurethane gloss varnish and put
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that into my airbrush now I typically
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use much better airbrushes for painting
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models and I'll have some amazing
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airbrush reviews coming soon but for
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varnishes and practice paints that could
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potentially wreck an airbrush I default
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back to this KK Moon unit I picked up on
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Amazon for about 20 quid 4 years ago and
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it's always a smart place to start with
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an airbrush of this caliber if you've
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never airbrushed before because well if
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you wreck it it's not going to break the
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bank as much as something like a harder
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and Steambeck Ultra Evolution or
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Infiniti again reviews for them coming
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soon but the process for using this is
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just a case of spray it on lightly and
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slowly build up a smooth thin coat
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across all the surfaces doing this made
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me realize I have a new obstacle to
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overcome dust so between my airbrush
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coats I decided to leave the part
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covered you can use whatever you like i
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just used a lid for a small spritz
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bottle for this mask also this clear
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mask is part of the Skull Soldier model
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from Loot Studios the model's actually a
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loyalty reward and comes in both 32 and
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75 mm and I also have it in statue size
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and in this case despite the render of
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this model showing a clear mask on the
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75 mm version there actually isn't a
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mask for the 75mm version at all so I
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had to download the one from the statue
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model and guesstimate the size reduction
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to get it to fit on the 75 mil version i
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think I got it close enough now spraying
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the mask with polyurethane varnish and
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leaving it under its cap gave me better
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results but it was still a bit cloudy
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also I need to say if you are using an
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airbrush spray always wear a mask and
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have a good ventilation unit you don't
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want to be breathing in any of this
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stuff i actually use a bench vent
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extractor unit which pushes fumes
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outside and I've already actually done a
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video for that if you want to check this
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thing out it's not cheap but it's
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brilliant also while I was spraying I
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decided to have a go at spraying on the
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gauy coat to see if that was any better
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but I also used the airbrush just
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blowing air to try and dry it now
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unfortunately this caused it to dry too
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fast and the surface started to get
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micro fractures it also dried really
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hard like clear hard plastic which makes
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sense because as I said before it's made
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for plastic canopies rather than
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slightly flexible resins and don't worry
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I will move away from airbrushing
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shortly i know many of you don't have an
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airbrush but they are cheaper than most
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people think to get started with again
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reviews coming soon this is meant to be
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a hobby channel more than a 3D printing
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review channel but as I said so many
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printers now I was pretty convinced I
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could still do better than this so I
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grabbed some lacquer based gloss varnish
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by a company called Alclad which I
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believe now to be HR Hobbies in the UK
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but still Alclad in the
9:37
US yeah if anybody knows what's going
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off with them please pop it down in the
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description but anyway if you use this
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stuff and you skipped through the video
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you most definitely want a mask when
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you're using this stuff now I've
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actually done a review of these guys
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candy colors before which well for me
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didn't turn out great and it turns out I
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did it wrong my complaint about the
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brand was more that when I asked them
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for advice and what's going off why am I
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getting it wrong they just ignored the
10:04
problem rather than explain to me how to
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get the best out of their paints and
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that's sad because now they've ended up
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with a negative review where there's so
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many people out there who've had a good
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experience with them and I still don't
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fully understand what I've done wrong
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thankfully with clear varnish it's
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pretty straightforward spray it on but
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again this needs to be done in thin
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coats super thin if you want to retain
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all that detail if you put too much down
10:30
in one go it's just going to run and
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well it'll look awful so when you're
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spraying this on you want a light
10:36
dusting for the first coat it might even
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look more matte but trust in the process
10:41
stick it under something give it 20
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minutes to dry it might need three coats
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it might need five i can't remember how
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many I did i think it was closer to five
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but once you've cracked it you'll be
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able to see straight through the part
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and you'll notice you've also retained
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all of the details on that model so this
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is where we come away from the airbrush
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application and just like I did with the
11:02
gauy coat initially yeah you can just
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dip your parts into this stuff however
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it will take days to dry and I mean days
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and as advised before you will lose
11:14
detail and probably get some extra
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buildup on lower edges and some of the
11:18
recesses but at least it's doable for
11:21
those of you who don't want to use an
11:22
airbrush for anyone who wants to get
11:25
closer to an airbrush but not get an
11:26
airbrush you can get gloss clear coat
11:28
spray cans but again they don't have
11:31
such fine control as you get from an
11:33
airbrush once again it is going to clog
11:35
some fine details but it is a workable
11:38
process and the reason I wanted to do
11:40
clear resins like this is because I've
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printed a ton of special effects parts
11:44
from Deadly Print Studio which I hope if
11:46
you're into the hobby you've probably
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seen by watching people like El
11:49
Miniaturista on his various social
11:51
channels because well let's be honest
11:54
his painting is incredible but I wanted
11:56
these to come out in clear so I could
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apply some translucent colors over the
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top but here's the question for you the
12:03
audience how do you think I should do
12:05
this do you think I should apply the
12:06
color first and then the gloss or should
12:09
I just go back to candy colors because
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they're both gloss and translucent hey
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maybe that's a future video idea but
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there it is guys that's it there's
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several ways to get glass clear prints
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without sanding if you've got any
12:22
additional tips pop them down in the
12:24
comments maybe I could try out some
12:25
alternative suggestions but otherwise I
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want to say thanks for watching with a
12:29
huge thanks going to our members i'd
12:31
also like to thank Loot Studios for some
12:33
of the models used in this video but I'm
12:35
paying for them i actually recommend
12:37
them because I genuinely think they're
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some of the best models online and yes I
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do make a commission for everyone who
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signs up with Loot Studios but come on
12:44
i've been recommending them for a long
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time before that deal was even in place
12:48
so I guess thanks Loot for finally
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paying me occasionally still haven't
12:54
actually been paid yet again thanks for
12:56
watching please consider joining our
12:58
members program to get your name up in
13:00
lights along with early access and
13:02
exclusive Discord roles thanks again
13:04
until next time it's amazing what you
13:07
can do when you don't have to look at
13:08
yourself in the mirror anymore who knows
13:10
what that's from and you can't Google it